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Gospel Music Reviews and Commentary
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KARYN
WHITE: The Return of A Legendary Voice in Music
She possesses
one of the most memorable, distinctive voices ever heard in
popular music. She's an accomplished singer/songwriter who
etched herself into music history with her smash hit song,
the female anthem, Superwoman. That song made
international waves, selling over a million units, being
certified Gold and named the Billboard R&B Song of the Year
in 1989. She IS a super woman. She's Karyn White.
In the years
since her last CD was released in 1994 (Make Him Do Right –
Warner Brothers), the lovely, soulful vocalist has focused
her energy on family, raising and nurturing her daughter
Ashley (her daughter with ex-husband, producer/songwriter
Terry Lewis of Jimmy Jam/Terry Lewis fame). Now that Ashley
is a freshman at Howard University, it's time for White to
grace her fans – both existing ones and future ones – with
the smooth sound of her voice on some new hit tunes. “God
has blessed me,” said Karyn. “I have a bright, beautiful
daughter who is ready to begin her adult life, and now I am
ready to resume my public music life.”
Karyn's
considerable talents extend well beyond music, as she's
successfully utilized her skills in recent years as an
interior designer, and in real estate. However, she didn't
turn her back on music, still paying close attention to the
industry. “Music is in me. You may be temporarily detached
from the business side of it – but the music, the melodies,
the rhythms – never leave you,” said White.
White's new
CD, currently untitled, and scheduled for release in
2012, offers a heartfelt soulfulness seldom heard anywhere.
She delivers every note, every inflection, with the flow of
a woman who knows what each nuance means to the song. The
CD contains another song for the ladies – a female bonding
and empowerment tune with an acoustic grit, called
Sista Sista. With this future classic, the ladies
will hear that they have their champion back on the scene.
Heaven is a beautiful song about the best
parts of love and Soooo Weak is a mid-tempo
groove about a woman enthralled in a relationship that makes
her “weak” in all the best ways. Karyn also performs her
own version of the Cyndi Lauper classic, True Colors,
on this new CD. Karyn related, “True Colors
is important to me because the lyrics speak to my heart.
It's about the truth of you. I just want people to know
that they can have confidence and walk in their
destiny...whatever it is.” Both woman and men music lovers
will appreciate that Karyn has returned to them.
“Karyn is
fearless, and when we first started talking about her
releasing new music in the marketplace, the first thing she
said was – 'I don't want to do it like I've done it
before—I want it to be new, fun, exciting and I want to be a
difference maker' – “that's why I call Karyn a renaissance
woman,” said Jay King, the independent music, multi-media
mogul of Club Nouveau fame, who is working with White on her
new music.
White's
project includes embracing multi-media formats, to broaden
the scope of Karyn and her ideas, with her “Karyn's World”
website (www.karynsworld.me),
which will include a reality show, Karyn White branded
merchandise and Karyn White Television.
Lest we
forget, the Los Angeles native who has literally been
singing her entire life was nominated twice for Grammy
Awards ( Best Female R&B Vocal Performance), and earned a
trio of Soul Train Award nominations, along with a coveted
NAACP Image Award for Best New Artist in 1989. She also
added to her musical legacy by co-writing, co-producing and
co-executive producing the Billboard HOT 100 Pop Chart #1
single, Romantic, in November 1991. Karyn's
monster hits include The Way You Love Me (#7
Billboard Top Ten Pop hit) and Secret Rendezvous
(#6 Billboard Top Ten Pop hit and huge Billboard Dance
Chart hit) and Love Saw It. She
is an international sensation, with Gold and Platinum albums
in Japan, the UK and in Canada.
The
songwriting prowess of Karyn White includes her work with
industry icons Burt Bacharach and Carol Bayer Sager, as well
as her co-writing the hit Til You Come Back
To Me in 1992, a popular song originally
performed by Rachelle Ferrell. Her first credit in the
industry, even prior to hitting as a vocalist, was that of
co-writing the Stephanie Mills hit Automatic Passion
in 1985, along with the late great industry musician Robert
Brookins and lyrical mastermind Tony Haynes). The mid-80's
saw White working with a veritable Who's Who of musical
talent, from Supertramp and O'Bryan to Richard Marx and Ray
Parker Jr.
In 1986, Karyn
was featured as a vocalist on a Jeff Lorber album called
Facts Of Love—that began a buzz that led to her
inevitable solo success. So, in 1988, her self-titled debut
LP established her as a leading female voice in contemporary
R&B music. That album was certified Platinum and reached #1
on the Billboard R&B charts. She enjoyed another Gold album
in 1991, with Ritual Of Love.
Karyn White
has done a lot, but she's far from done.. “I enjoyed the
first part of my career, I've learned a lot and I've grown
as a woman and an overall person. I can't wait to see what
God has in store for me this time around! It's not just
about me being in control of my destiny and blah, blah,
blah—this time I want to be in control of the differences I
make in people's lives—that's what I want people to know
about me. I'm thankful and appreciative of the love I've
always received (especially from other women). I'm back and
I'm ready!”
GLEN DAVID ANDREWS
GLEN DAVID ANDREWS hopped down from an outdoor stage at
the New Orleans Jazz & Heritage Festival in May, leaving his
trombone behind. He sang in a powerful raspy voice,
inflected with just a hint of Louis Armstrong. Segueing from
one song to another - the controversial 1920s classic “Black
and Blue” to the more recent brass-band tune “Cell Block
Nine,” for example - he sprinkled each with improvised
lyrics. “It's my time,” he shouted between numbers.
Andrews, 28, has a lanky 6-foot-4-inch body and a mercurial
personality. The brass-band music and traditional jazz he
was raised on are still his greatest loves. “The musicians
that played in my neighborhood, they brought me out of the
womb,” he says, not by way of metaphor. According to his
mother, Vana Acker, when she was pregnant, Anthony “Tuba
Fats” Lacen, a traditional-music icon and mentor to many
musicians, came by and blew his horn outside the house. He
said the sound of the tuba would induce labor. Glen David
was born the next day.
As a young boy, whenever a second-line parade passed by,
Andrews tagged along with his older brother, Derrick Tabb,
who is now the snare drummer with the Rebirth Brass Band.
Back then, Andrews played bass drum. At 12, he picked up the
trombone. Rather than studying formally, he absorbed musical
skills from neighbors such as “Frogman” Joseph, Harry Nance,
Harold DeJean and other local heroes - “the cream of the
crop,” Andrews says. Soon he was playing for money alongside
Tuba Fats in Jackson Square, in the middle of the French
Quarter.
He was recruited into a brass band led by his younger
cousin, Troy Andrews, and has since played in both the New
Birth and Tremé brass bands, among others, lending equal
measures of musicianship and showmanship to each.
Occasionally he still lights up the Jackson Square scene.
“Aside from being a great musician, Glen David has absorbed
a fading tradition,” says Ben Jaffe, who runs Preservation
Hall, where Andrews used to play regularly on Sunday nights.
“He's a link for his generation to something important. But
he also has a rare enthusiasm and energy that makes it all
special and exciting for even casual listeners.” Though most
contemporary brass-band musicians have embraced the more
funk and pop-oriented sound of say, the Rebirth band, a
shift that began some 30 years ago, Andrews sticks mostly to
the old hymns, spirituals and trad-jazz tunes. He has just
released a live gospel CD, “Walking Through Heaven’s Gate”,
on Threadhead Records, that is probably the first CD to have
captured on record the entrancing quality of Andrews'
performances at venues like Preservation Hall, Tipitina’s,
The Blue Nile, the Mid-City Lanes Rock 'n' Bowl or, most
powerfully of all, on the streets.
He's appeared in two documentaries performing I’ll Fly Away,
(a fiery version also appears on the new live gospel CD)
each time evoking a different meaning. He appears in the
documentary Shake the Devil Off, Swiss filmmaker Peter
Entell's chronicle of the controversial, post-Katrina
proposed closing of St. Augustine Church, which was founded
in Tremé in 1841 by slaves and free people of color. Near
that film's climax, after footage of Al Sharpton and Jesse
Jackson riling up protesters, the camera closes in on
Andrews, who raises his trombone and plays the traditional
hymn. The song seems offered as a call-to-arms, rather than
a memorial. And at the very end of Spike Lee's When the
Levees Broke: A Requiem in Four Acts, Andrews holds his horn
at his side and sings the hymn, just as he did on the night
of his arrest. But on the final verse, instead of singing
“I'll fly away,” he sings “New Orleans will never go away.”
This was no improvisation; it was Lee's idea. And when Lee
was syncing music to film, he thought that last line got
buried in the mix. He brought Andrews in for a voiceover.
“I want everyone to hear that,” Lee said.
“Like a declaration?” Andrews asked.
“Yeah,” Lee said, “a declaration.”
glendavidandrewsband.com
Shirley Caesar
“After 40 Years…Still Sweeping Through The City”
Shu Bel Records/Light Records
Shirley Caesar
returns to the music landscape with her best CD in a decade!
“After 40 Years…Still Sweeping Through The City” is a
gallery of musical artistry that showcases a handful of the
priceless treasures which helped solidify Caesar’s standing
as the undisputed First Lady of Gospel Music. Recorded live
the Mount Calvary Word of Faith Church in Raleigh, North
Carolina, from “Sweeping Through The City” which she
first sang lead as a member of the legendary Caravans in the
60s to “Hold My Mule” (which stayed #1 on the
Billboard charts for 52 weeks), this project displays
Caesar’s consistent and timeless anointing and the sheer
impact of her musical pedigree.
 
Classics that Pastor Caesar revisits include
“Jesus, I
Love Calling Your Name”; a foot-stomping, hand-clapping,
old style-Church medley of “Peter, Don’t Be Afraid/
Nobody But You Lord/ Teach Me Master,” and a powerful
presentation of “Choose Ye This Day” which has a
message for America that is as poignant today as it was when
she first recorded it.
Not only is Shirley Caesar
“Still Sweeping Through The
City” after 40 years, she is doing so with the same
dynamo and intentionality of ministry that we love. For fans
of Pastor Caesar or traditional Gospel music, this project
is a must have.
Thanks for your support and for signing the Guestbook. I
have tons of products to give away. Leave a comment and you
can be one of ten guests who receive free CDs or DVDs.
 
GreeneRoom Note:
I first came to know of Sunny Hawkins when
her mother-in-law, legendary gospel music belter Tramaine
Hawkins, introduced her at the live recording of her CD, I Never Lost My Praise.
Jamie Hawkins, Walter and
Tramaine’s son and Sunny’s husband, was also introduced as a
songwriter of “Excellent Lord."
Because of the attacks on marriages within the body of Christ—as
evidenced by stories of well known ministers which recently made
the news and also of persons we each know and love in our
lives—I find myself praying for marriages often; especially of
those who are in this industry and under 40. As such, one
morning in particular Sunny and Jamie came to my spirit and I
began praying for them. That afternoon I returned home to find
an unsolicited copy of, at the time, Sunny’s upcoming project. I
had no idea she had a project or was a solo artist in her own
right. The moment was God’s not mine. I immediately called the
representative, told them that I believed Jehovah was a God of
synchronicity, and knew I was to review the project for In
The GreeneRoom.
Somehow, in the project being held up for months and interviews
with Sunny being cancelled because of changes in management, I
didn’t move forward. For this I apologize to you. Recently,
Stillwaters sent the project to the owner of
BlackMeninAmerica.com and thus, the project has come to my
life’s palette again. After you read my review, you’ll see why I
felt the need to apologize to each of you).
If you enjoy the flavor of the artists that record label
HiddenBeach signs (Jill Scott, and Kindred to name a few) then
verily, verily, surely, surely I say unto you that you will find
a deep-seated appreciation for the music styling of Sunny
Hawkins, who debuted on Stillwaters, a division of Hidden Beach.
HiddenBeach and now Stillwaters have a knack for choosing
artists in whom the listener can hear the very soul and
experiences of the artist. Each artist has a story that brazenly
becomes apparent in their words (Dr. Cornel West), composition
(Tribal Jazz) and music. On Sunny Hawkins’ “More of You”, you
get her soul and experience but it’s in direct relationship to
the impact of Jesus Christ in her life. And just because her
love for Jesus Christ is added into the musical equation doesn’t
mean that artistically the music is contrived or any less
authentic. In fact, the opposite happens; the project is so
infused with Hawkins’ connectedness to who Jesus Christ has been
to her and this makes her ministry easy because it is real. You
don’t even realize you’re being ministered to because it’s so
nice-and-easy.
Click On Photos To Enlarge
On the guitar intense, funky title cut “More of You,” the hook
alone “Show me more—more more more more more more of You/ I’m
craving You / Show me more—more more more more more more of You”
had me. For all you runway fashion show producers, this track
will prove great for you to add to your show or as a warm up in
rehearsal”. Another CCM styled song is What A Man.
As a 70s kid (73 Baby!) and a lover of most things from the 70s
Where Would I Be immediately became a favorite of mine.
The track starts out with that same muted scratchiness
that greeted you every time you put a 45 or 78 on the turntable
back in the day. It’s like the song goes from black-and-white to
full color. It’s soulful and Christian and easy. The delivery
and harmonies of the background vocals are that Musiq kind of lazy. I could have it on repeat from D.C. to North
Carolina.
It’s Like Air—a
beautifully composed song with a simple message: “(It’s like
air) I need Your love/ (I can’t breathe) Without Your touch /
(It’s like air) I need You every hour / (Your love) I need it
now. Other nice and easy grooves include Jesus The Same and You’re Everything.
If American Band Stand was still
on Love Me Too could have easily have been this
generation’s I Want To Thank You (Alicia Meyers) or You Brought The Sunshine (The Clark Sisters) in that before
you realize it you’re hand dancing to gospel.
The summer’s just about over so I can’t recommend it for family
reunions who want to play gospel to appeal to all generations.
However, when the music ministries of Pastor Shirley Caesar, The
Caravans or the Mississippi Mass Choir are too heavy and Tye or
Juda Camp will be too amped, you can play Sunny Hawkins’ More
of You. On the days when you want to take it “nice and easy”
but still listen to music that edifies your spirit, this is the
project for you!
Click On Photo To Enlarge
So what do you think? If
you would like to respond to this article
click here
and sign our
Guestbook to leave a public or private statement, comment or reaction.
“Darlene McCoy”
EMI Gospel
Reviewed by
Contributing Writer, Jason Minor
Darlene
McCoy,
a new urban inspirational artist on the EMI Gospel label, gives
listeners a nice blending of contemporary praise and worship.
The anointed singer-songwriter’s self-titled debut album has
been described as “refreshing”, “encouraging” and “timely” and
includes music production by super producers Dallas Austin, Fred
Jerkins, Tommy Sims, PAJAM and Antonio Neal. With all of that
power behind her and a gift that truly is Heaven-sent (versus
man made), Darlene McCoy does not disappoint.
The album
starts off with an “ear catcher” in I Believe , an
urban-flavored song which definitely should be a hit single for
the artist. In this and other songs on the project, she gives
examples of how God has played a part in her life. It reminds
the listener to be encouraged in all of life. Fallen In Love
exemplifies her true love for God which can be felt in her
melodic voice. She sings about how pure and untainted God’s love
is and how amazing it is that the One who created everything we
know is reachable by our true love. This leads right to the next
track, Be With You. This track is about the joy of being
with the Lord eternally and the feeling of knowing you have a
true relationship. Be With You is just to put a smile on your
face and a feeling love over your heart.
While the
album focuses on praise and worship, it was interesting to hear
an interlude that concentrated on sisters and their empowerment
in the world. In a time where women are put down and degraded in
songs on a daily basis, it’s nice to hear encouraging words for
the sisters of today.
Amazing
is definitely a song I could throw on at a family cookout! It’s
one of those “get up and dance” type of tracks. I found my head
nodding and feet tapping throughout the song. Even grandma can
grove to this one. She sends up words of thanks and praise in I Adore You. God really shows up in the song and you can’t
help but worship by the time you get to its end. There is
nothing wrong with eating a little carpet on this one. As long
as you’re praising God I don’t think anyone will mind.
I don’t
know about anyone else, but I can’t help but think of Alicia
Meyers when I hear the 80s party classic, I Wanna Thank You;
but God is still glorified on Darlene’s version. I’m telling
you, kick, turn and push—this is a gospel skate song for
sure!
U-N-I-T-Y
is a great ending to the
album. This is the song at the end of a concert that you wish
would never end but like they say always leave them wanting more
and I cant wait to hear more from Darlene McCoy.
While
listening to the CD I found myself just sitting and reflecting
on what my life was like before I had a relationship with God
and how blessed I am now. Her music is an encouragement for
listeners to build even stronger relationships with God and her
style transcends all ages and backgrounds.
http://www.darlenemccoy.com/
http://www.myspace.com/darlenemccoy
HUNT’S
HUNCH with Veronica Hunt
-
Bishop Paul S. Morton
-
“Still Standing”
Bishop Paul S. Morton’s latest CD entitled Still
Standing chronicles the journey of a people who endured an
overwhelming, unimaginable and hopeless situation and yet
emerged triumphantly with praise on their lips. Two years ago,
Hurricane Katrina destroyed lives, families, businesses and
churches in the city of New Orleans, including Bishop Morton’s
church Greater St. Stephen. Many, to this day, still have not
completely recovered from that disaster. Still Standing
demonstrates God’s supernatural power of healing and
restoration. The songs that Bishop Paul S. Morton and Stellar
Award-winning songwriter/producer/artist Kurt Carr have produced
on this project bring encouragement and hope to anyone who may
be facing a storm or enduring the perils of life that come to
make us stronger.
There is so much to say about the first single, I’m
Still Standing. It is a song of victory and recovery; a
demonstration of God’s ability to impart strength to the weak
and deliverance from bondage; and evidence of faith &
trust in God’s amazing power to heal and restore. The track
also samples the chorus of the church hymn, “Standing on the
Promises,” giving the listener a little old school/new skool
mix. I’m Still Standing is an anthem for those who have
taken some pretty hard knock downs in life and having done all
to stand, are yet still standing.
Not Me Lord,
You Initially,
I thought that this personal testimony by Bishop Morton was a
little out of place on this CD, but after listening to the
entire CD, I realized that its placement is perfect to the
overall flow of the project. On the track we hear Bishop Morton
asking God for humility so that people would see God in this
project and not himself. His intention comes across as the
listener clearly will know that this song is about serving and
glorifying God. The lead vocals during the vamp are reminiscent
of Eddie Levert of the O’Jays back in the day.
The Cross and
the Blood Medley / Tribute to Thomas Whitfield” (featuring
Gwendolyn Morton).
Simply soul stirring! With the excellent songwriting
skills of the Maestro Thomas Whitfield and the composing acumen
of award-winning arranger/producer Kurt Carr, this medley will
surely bring many to the altar. The background vocals are beyond
outstanding on this track.
The next
medley combines two familiar worship songs heard across America,
Agnus Dei by songwriter/worship leader Michael W.
Smith and Bow Down (by David Baroni / Tony
Sutherland). These songs are a great place to stop and give
honor to God and the perfect set up for “Holy One” which
features Tramaine Hawkins). This powerful rendition of
the 80’s release written by Walter Hawkins and sung by Tramaine
will surely cause a shout to break out. CAUTION: Do not drive
while listening to this one! You may have to pull over to the
curb, get out of your car and like “Shoutin’ John” find somebody
to “hold your mule!” Once again, excellent background vocals on
this one. The sopranos took it to the rafters!
“If It Wasn’t
For Your Grace” (featuring Bishop James Morton).
This is a
song of God’s amazing grace and mercy and how it brings us
through our difficult times. It takes us back to our gospel
roots again, with a sample of the old hymn “Amazing Grace”
intertwined. Go sopranos! As an alto, I’m simply amazed by
their ability to reach such notes.
“Be Blessed”
(featuring Kurt Carr)
is a song of
encouragement, life and dependence on God. It says that God
will bless us when we bless each other. We bless one another
when we pray for each other and speak life to each other. We
must always stand in unity with our fellow sisters and brothers
in the hope for a better and brighter future.
Kurt Carr
is truly an anointed musician, songwriter and minister. Through
his amazing gifts, he ministers to all people who have
experienced utter destruction and unbearable pain. The songs of
praise and thanksgiving he has produced for Still Standing
bring comfort to the listener. His skill as a composer/arranger
causes the trained musician’s ear to disregard a few of the
vocal flaws heard on a few of the lead vocals because the
overall presentation of ministry is powerful. And the background
vocalists chosen for this project are so awesome that that they
cause you to want to be one of them. (I desire to be a “Kurt
Carr Singer” one day!)
LISTENING/VIEWEING
PARTY
During a
recent listening party, 10 out of 10 listeners said they
would definitely buy this CD/DVD. On a scale of 1-5 (1
being the “Worst”, 5 being the “Best”) 7 of 10 persons rated the
CD/DVD combo a 4. You Restored Me, a song that deftly
paints a picture of restoration, hope for tomorrow, new
beginnings and God’s saving grace and mercy, was the favorite
track for 5 of the 10 listeners.
One listener
indicated that there were no favorite cuts because they all were
“good” (I agree with this listener, all of the songs on this CD
are my favorites for various reasons). Six of the ten listeners
had only positive comments about the CD/DVD. One listener
thought the DVD performance looked “too staged and rehearsed”.
Another did not care for the dancing on “We Made It”.
(This is a song that begins with a more traditional gospel
choir flavor. It includes words of encouragement like hold
on, keep the faith, and trust in the Lord. This one has an old
school mix with a sample of the old hymn “Leaning” and endswith
a “Zydeco” praise party. You definitely need to have
experienced the culture of New Orleans to appreciate “Zydeco”
and to understand this type of praise party. As evidenced by
the excessive perspiration of the singers it was definitely hot
up in there!)
My overall
Hunt’s Hunch: This CD/DVD will be a classic and is
definitely a “must buy.”
So what do you think? If
you would like to respond to this article
click here
and sign our
Guestbook to leave a public or private statement, comment or reaction.
Maurette Brown
Clark is the most underrated female vocalist in gospel
music; but not for much longer. Brown Clark recently returned to
the musical tapestry with The Dream which is “a dream”
CD.
The first single
from the project, One God, is a 21st Century
proclamation of who Jehovah God is. The horns, strings,
trumpets, guitars, trombones and saxophones combined with
Maurette’s lead and the out-of-this-world background vocals all
rise together to momentously pronounce that there is only one
God. The track is written by Darien Dennis who was featured In
The GreeneRoom last month. Has God Done Anything For You? is one for the rockers. The voltage of this already hi-energy
head banger is amped beyond what you thought possible by
Maurette’s lead vocals and the background vocal arrangement. I’ll Praise Him has been my new favorite groove for about a
month. The mid-tempo song has a funky bass line, especially in
the vamp and drive, and a message with determination. “My mind
is focused, hands are lifted/My heart is singing, mouth bringing
forth Your praise/I’ll praise Him/I’ll praise Him.”
Brown Clark
approaches the lyrics of I Have Decided To Follow Jesus and My Heart Has Been Restored as an artist who is
growing into—without apologies—the largeness of her gifting,
talents, and ministry. With I Have Decided To Follow Jesus,
the songstress captures and holds each phrase, each lyric in her
vocal possession until she has caressed it with enough meaning,
understanding and conviction that we know that “she is not
turning back”. Then she releases the lyric to us. Her raspy
adlibs just strengthen her resolve and the listener’s heart
because they are so grounded in her personal convictions. On My Heart Has Been Restored (written by Stellar Award winning
songwriter/artist Jonathan Nelson) she gives those who
have gone through a storm an anthem of renewal and faith. The
song takes the listener from Maurette’s personal place of
introspection to personal affirmation. Perfect.
The title track
The Dream unveils Maurette’s “whole purpose” as God revealed
it to her in a dream. The song will encourage those listeners
who are still struggling with understanding their purpose as
Maurette shares how God confirmed His plan for her life. Other
notable tracks include Sovereign God and its Reprise,
Lord We Praise Your Name (written by Richard Smallwood and
led by Maurette’s brother Maurice) and It Ain’t Over.
You
can visit Maurette's official web site at:
http://www.maurettebrownclark.com.
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you would like to respond to this article
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