Description: An intriguing
fictional mystery with quite a twist from your everyday
novel; the ordinary becomes extraordinary. It is a story
about real people caught in the deepest challenges of
faith, love, and how they view religion.
Be prepared to feel the power of fear, suspense, and joy
as you join the citizens of small town Sutters Junction.
They face a trial so unexpected that no one could have
guessed it was the modern world. Click on the link
below to learn more:
Dr. Neal Hall cuts with
precision not only in the lab but also on the flesh of
an establishment, which festers, on lies, indoctrination
and institutionalized racism. The theme may not be
favoured by mainstream publishers but Dr. Hall’s
technique helps his cause. It gets you engrossed to the
last page. It also gets you into that pensive and
reflective mood post-reading which makes it a classic.
The seamless flow of one
poem into the other is genius; it stands out as a book
in the category of poetry. There is also an
unpretentious approach which is liberating, no rhymes or
your conventional stanzas. It is the reinvention of
poetry which makes an explosive theme accessible.
My gut feeling when l
first got the book was that it would be another piece of
work laden with fantasies of academia. Reading through
the first pages l was, however, quickly stripped of this
misconception - the book is at the centre of reality. It
bares the subtle as well as reiterate the brazen
discrimination existent in the world’s biggest economy.
To the victims this is
an empowerment, an empowering literary work that
unsettles the establishment. An establishment
purporting to be built on the Declaration of
Independence yet some of its offspring, to borrow from
Animal Farm, are more equal than others.
This magnificent work is
tongue in cheek, a no-holds-battle with perpetrators and
architects of race structures. Though set in America,
people from all walks of life who suffer any form of
prejudice and discrimination can relate to it; motives
are different but the result is the same.
On another level there
is a desperate call in the book, which weaves through
all its various poems. This clarion call is to judge
people on ability and not heredity. It is surely a world
of great promise if all the suppressed people are
allowed to unleash their potential. We need not look any
further than the contributions of the so called people
of colour in all aspects of life, be it film (Will
Smith, Denzel Washington etc), sport (Muhammad Ali),
music (Nat King Cole) among others. Surely the world
would be poorer without the contributions made and which
can be made by people of colour. Discrimination is
abominable in any form and should be confined to the
dustbins of history centres on the atrocities of race
classes. Atrocities perpetrated daily yet pretended not
to exist. Perpetrated in all manner yet.
Nigger For Life is a mirror of the
generational struggles of the marginalized, marginalized
not because of ability but marginalized and thrown onto
the margins of society purely on the basis of a
perceived wrong skin colour.
Here is a book, not for
this year or the next, but for posterity. This anger is
resonated in other artworks such as Hip Hop but
Nigger For Life articulates it on a simplified and
intelligent level yet to be climaxed.
The perpetrators must be
ashamed for Nigger For Life is here to expose
their duplicity and seeds of evil. A must read for all
truth-seekers.
Across America, in the inner-city and in suburbia,
single mothers struggle with raising boys alone. This
issue has clearly emerged as one of the most
consequential trends facing society today. And David
Miller, co-author of the book, Raising Him Alone,
is on a personal mission, standing watch, doing his part
to support single mothers – Black single mothers in
particular – and the positive development of Black
males.
During my interview with Miller at the 2010
National Congressional Black Caucus Book Pavilion,
his passion was contagious. Miller’s vision is
for the well being of everyone involved in the struggle
from the son to the mother or caregiver to the
absent-father alike. Therefore, it is only natural that
he would be co-founder of the Raising Him Alone
Campaign, a national movement that executes the
foundational principles he and co-author Matthew P.
Stevens address in their book [Raising Him
Alone].
Single mother parenting was long thought to be primarily
an African-American problem, stemming from poverty and
poor education. However over the last decade, it has
become an epidemic crossing both racial and class lines.
“We started the campaign to really focus on Black and
Latina moms,” says Miller. “But we get a
tremendous amount of calls from White mothers. The issue
is beyond an epidemic.”
Miller
shared with me insights about the book, the campaign,
and the community activities and resources dedicated to
inspire and inform the millions of single mothers who
struggle daily with the challenges of raising boys.
The David Miller Interview
BMIA: What is the Raising Him Alone campaign about?
D. Miller:
The campaign is a movement to provide greater access to
resources for single mothers and grandmothers throughout
this country.
BMIA: Where does your passion for this movement or your
connection to this issue come from?
D. Miller:
When I was a freshman in college, my best friend was
shot and killed standing next to me and I was
19-years-old. I was at Morgan, he was at Morehouse; some
guys tried to rob us...they shot my friend in the back
and he died in my arms. And since then I’ve dedicated my
life to really improving the lives of children and
families in this country. And so, I’m real clear that
we’ve got to do this work in our communities, or else
we’re not going to make it.
BMIA: When does the campaign kick-off?
D. Miller:
The campaign kicked-off in January 2009. We did a major
launch in two cities: Baltimore and Newark, New Jersey.
I invited some dynamic mothers who’ve raised sons to
come and help me kick it off. Common’s [rapper,
actor] mother, Dr. Mahalia Hines; Mos Def’s
[rapper, actor] mother, Sheron Smith; and
Talib Kweli’s [rapper, activist] mother, Dr.
Brenda Greene. I brought them on-board to help me
launch the two cities, and now we’ve expanded to Chicago
and Philadelphia. These are our four main cities. But
we’re working in communities across this country really
doing some very interesting viable Web-based things like
using Facebook to create discussion groups with
moms. We’re creating a tremendous movement around
serious parenting.
BMIA: What has been the response to campaign?
D. Miller:
The response has been absolutely overwhelming. We
average about forty phone calls and E-mails a week from
mothers who are in some of the roughest parts of say,
maybe Memphis, DC, or Newark, New Jersey, to moms that
have MBA degrees, PhD degrees from excellent colleges
and universities, who got divorced and for whatever
reason, dad hasn’t stepped up. And so it’s been an
amazing cross-section of parents from different
socioeconomic backgrounds.
BMIA: Have you in any way included fathers in the
campaign?
D. Miller:
Yes. Historically, my background is I’ve written two
other books about responsible fatherhood. And so, year
one was really to launch the campaign and raise money.
Year two has really been focused on launching the
largest responsible fatherhood Web site you’ll find in
this country which we’re gonna try to connect it with
President Obama’s Responsible Fatherhood Initiative. I
was in Washington three weeks ago speaking to all of the
federal grantees that received responsible fatherhood
money. The Web site is going to be for any dad: married
dads, divorced dads, military; dads that are
incarcerated, to really talk about what does it mean to
be an exceptional father. And so dads are an integral
part of the campaign.
BMIA: What type of information can single mothers expect
from the book, Raising Him Alone?
D. Miller:
In the book, we kind of roll out a blueprint of how to
raise a son, as well as things like mentoring. Susan
Taylor has a national initiative; Michael Baisden
has a national initiative on mentoring. The reality is
in all those initiatives, we’ve not gotten enough black
and brown men to sign up and honor their commitment. So
one of the things we talk about is, while we’re trying
to find a mentor for the boy, there’s things mom has to
do in the home. For example, number one is the boy can
never be the man of the house. That’s a mistake that I
think mothers make, particularly as boys get to
adolescence. Moms say you’re the man of the house
because your father is not here. And what happens with
a lot of boys is they think because dad’s not here I
need to step up and bring money in. So a lot of boys
will start steeling cars, selling drugs… You start to
see a lot of pathologies exist because mom has told this
13-year-old that he’s man of the house. So a lot of what
we’re trying to do is really work with community-based
organizations and work with schools. We’ve created an
awesome learning community so mothers can go to our Web
site, sign up and they can receive free text messages,
free voicemail message about being a good parent…about
financial literacy tips. We send out an e-mail blast
that goes out to about 11,000 mothers and grandmothers
across the country. We’ve created a Facebook group,
Single Mothers Raising Boys, with over 1,000 mothers
connected to that. The goal is also connecting mothers
to resources, things like mental health; things like
credit repair; a lot of stuff on co-parenting. I mean
when you look at the divorce rates in our community,
we’re in trouble. We’re in serious trouble.
BMIA: Have you had any testimonials on the impact of the
work you’re doing?
D. Miller:
We’ve had some amazing testimonials. I’ll start with Ms.
Mildred, a 74-year-old great-grandmother living in the
projects in the West Ward in Newark, raising five boys
by herself… hypertension and diabetes. When we went to
go interview Ms Mildred, we were able to stop her from
getting evicted from her apartment. We were able to
connect her to free mental health services for both
herself and for those boys. Even though the boys are all
under 12-years-old, you started to really see some
behavioral challenges with those boys. We can document
many of the families that we’ve reached as well as the
dads that we’ve reached. And that’s one of the reasons
why we decided to create the fatherhood Web site. We met
a brother in Michigan whose children lived in Atlanta,
Georgia and we were able to re-connect him with his
children. Because he was a long distance dad, we were
able to work with him and work with the mom to develop
some strategies. One of the first things we did was
recommend that the dad buy a cell phone and mail it to
the boy so the boy could call his dad. But we had to go
through the mom to help her work through her own issues
because they didn’t get married to say, this is
something that can happen. And so, even being able to
work through something as simple as communication with
the father and son is another example.
The Raising Him Alone Campaign seeks to create a
larger community dialogue around the importance of
supporting single mothers raising boys. Through
partnerships with a host of organizations, they are
mobilizing single mothers and absent-fathers to save our
future, particularly our boys.
The siren is blaring. The call to engage the issues in
raising healthy, positive boys demands our attention.
What price will society ultimately pay if this trend
continues? The clock is ticking.
To learn more about Raising Him Alone, the book,
and the work co-founders, David Miller and
Matthew P. Stevens are doing with the Raising Him
Alone Campaign, visit
www.RaisingHimAlone.com.
BMIA.com Reporter Vanessa
Werts and David Miller
David C. Miller,
M.Ed. is the co-founder and Chief Visionary Officer
of the Urban Leadership Institute, LLC, (www.urbanyouth.org)
a social enterprise that focuses on developing positive
youth development strategies. ULI provides
strategic planning, professional development, positive
youth development concepts and crisis management
services.
PSY: I grew
up in Compton, California, which gave me a very grounded
perspective on life. When I mention my hometown, people
automatically assume that I dodged bullets on the way to
school every day. But it was nothing like that. I had
two strong, hard-working parents, who still live in
Compton today. The foundation they laid – faith in God,
hard work and education – is responsible for who I am
and what I have achieved.
I'm an avid reader who enjoys reading both commercial
and literary fiction. I enjoy a broad spectrum of
writers, so it's impossible for me to pick a favorite
book. But if there's one book that impacted me more than
any other, it would have to be Claude Brown's Manchild
in the Promised Land. I can still remember stumbling
across a copy of the book at my aunt's house when I was
about twelve. It was the first book I remember reading
that had African-American characters and I was thrilled
to be reading about people who looked like me. It was
also a very gritty and graphic coming of age story. I
promptly "borrowed" the book without asking for
permission for fear that my aunt would think I was too
young to be reading such a sexually graphic book. After
that, I developed an insatiable appetite for
African-American fiction. That led me to James
Baldwin, Maya Angelou, Richard Wright, Toni Morrison
and many, many other great writers.
How did you feel when you saw your first book on
the shelf?
PSY: I still have
a very vivid memory of seeing Every Reasonable Doubt on
the shelf at the Barnes and Noble near my home in
February 2006. I went to the store on the book's
scheduled release date, not really expecting to find it.
My stepson and I searched the shelves but couldn't find
it. I was about to leave, but decided to, ask for it at
the reception desk. To my delight, the clerk found it
and led us to the book. I just stood there staring at
it. So much blood, sweat and tears led me to this point.
My stepson took out his cell phone and snapped a picture
of me holding the book. And just as I started to started
to tear up, he promptly warned me not to embarrass him
by crying in the store.
What is your process for creating a novel? Do
the characters speak to you?
PSY: I will spend
any where from a few weeks to as long as three months
outlining a book before I sit down to write. I also mull
over my story a lot. I'm thinking about it in the
shower, while I'm standing in line at the grocery story,
during my 45-minute commute to work. I can almost see
each chapter as if it were a scene in a movie. Only
after I have a completed outline do I start writing. And
when I write, I go from page one to the last page
without doing much editing. For me, it's psychologically
motivating to complete that first draft, even if it's so
bad I'd never dare show it to anyone. Once I have a
finished first draft, then the real writing starts. I
revise, and revise and revise some more. That process
can last six months or more.
How do you spend your free time?
PSY: Free time?
What's that? Writing is how I spend my free time and I
love every minute of it. I still work part-time as a
lawyer and when I'm not at work, I'm usually someplace
writing – be it at home, the library or the nearest
Starbucks. Sometimes I write early in the morning before
work, other times I'm up until one or two in the morning
typing away on my laptop. My most productive writing
time is when I can get away from home and lock myself in
my timeshare in Palm Desert for a weekend. When I'm in
that environment, the writing is non-stop. When I'm
writing, I'm happy.
Share with us your latest news and book
releases.
PSY: I’m extremely
excited about the upcoming release of my fourth legal
thriller and first stand-alone novel, Buying Time, which
goes on sale November 1st. In Buying Time,
Waverly Sloan is a down-on-his-luck lawyer who comes to
the aid of terminally ill people in desperate need of
cash. Waverly finds investors eager to advance his dying
clients thousands of dollars—including a hefty broker's
fee for himself—in exchange for rights to their life
insurance policies. Once the clients take their last
breath, the investors reap a hefty return on their
investment. When Waverly's clients start dying sooner
than they should, both Waverly, and a high-powered
lawyer who’s bucking to become the next U.S. Attorney
General, are unwittingly drawn into a perilous web of
greed, blackmail and murder.
Pamela Samuels Young
is the Essence bestselling author of the legal
thrillers: Murder on the Down Low, In Firm
Pursuit, Every Reasonable Doubt and the newly
released Buying Time. The former
journalist and Compton native is the fiction writing
expert for BizyMoms.com and is on the Board of
Directors of the Southern California Chapter of
Mystery Writers of America. Pamela served as legal
consultant to the Showtime television series Soul Food.
She is a frequent speaker on the topics of writing and
self-empowerment.
Bookclubs, select one of Pamela’s
novels for your book club meeting and she
will join you in person, via webcam or via speaker
phone. Read more book excerpts here:
http://www.pamelasamuels-young.com/books/index.html.
Thank you Ella
Curry of
EDC Creations for providing this interview.
BLESSINGS AND PRAISES TO SOPHIA MANNING
AND JOY IN THE VALLEY
Sophia, you are on the right track and
you have all my blessings. Your book
reveals your knowledge of life weaved together with your
personal experiences and with great passion for your
audiences all together driven by your faith in God. This
is an inspirational piece of work! --
Father Zachaeues Kirangu, PhD –
Priest, Our Lady of The
Assumption.
I read Sophia's book during a time I was
going through my own valley. Her personal experience
together with the powerful quotes and the everyday
practical insight on overcoming life's teachings gave me
strength and inspired me to continue walking through the
valley with great joy! Sophia's book is not simply
another book with general indications for personal
growth, it is a book like no other that will make you
feel someone is holding your hand as you fulfill your
life's purpose. Thank you Sophia for your valuable
contribution! May the Universe conspire to
make this book a bestseller for you are a blessing to
humanity and deserve it all!
All my love and blessings to you my dear
friend! -- Cristina Oliva-Klos; Founder & Managing
Director HB International - A School for One World
This is a book that needs to be read. It
offers great insight on life and the spiritual help in
one’s life. Too often we do not take the time to reflect
on ourselves and what has taken us to the journey thru
life. Sophia has made this very informative and
interesting; you won't be disappointed in any way. –
Albert Rayl, Author, Beyond
My Wildest Dreams; Beyond My Wildest Dreams, becoming a
“Big Game Hunter”; B to B Candle Making, Beginners to
Business; Rayl Family Cookbook
Joy In The Valley is
"heart-wrenching, soul-stirring and simply engulfing" -
want to be inspired or motivated? Read the book! Sophia
has raised the bar significantly by communicating the
true meaning of "joy" as it relates to everyday life and
her writing style has truly intrigued me. - Errol
Anthony Wilkes, Actor/filmmaker
About The Author
Sophia Melanie Manning,
Founder and Executive Director of Children Are First
Network, a non-profit organization dedicated to helping
under-privileged children globally; her mission is to
replenish the earth by consciously creating situations
to actualize her potential. Sophia is a
professional paralegal with a certificate from an
American Bar Association Paralegal Institution, holds a
Bachelor of Science degree in Business Administration,
has completed semesters of Graduate school with studies
in Masters of Public Administration and is currently
pursuing a Masters in Liberal Arts.
Joy In The Valley
is available at most major online retailers.
Michael A.
Price, Jr. Dispensing "Uncommon" Sense In a
Poetic Fashion
Michael A.
Price, Jr.
Editorial Review
Right in Front of You: Uncommon
Sense in Poetry by Michael A. Price, Jr.,
is more than just rhyming words in a book. Each one
of the poems in this collection contain a moral
message as well as thought provoking commentaries on
a myriad of subjects that affect us every day.
Whether social, political or spiritual, the various
themes conveyed in multiple rhyme schemes and poetic
styles will definitely leave the socially conscious
reader with plenty to think about. Since there are
many topics covered, there’s something in these
writings that literally everyone will be able to
relate to.
Black Men In America.com Review
Michael A. Price, Jr., is
an energetic young man with an unabashed confidence
about his ability to write, recite and perform.
He must have been a salesman in a former life.
One of the reasons that Price is being featured on
this site is because he "made it" happen.
Michael Price, Jr., was given the direct
telephone number to Black Men In America.com
publisher Gary Johnson. (Phone
number = Opportunity). Like most
successful people, Mr. Price decided to make the
most of his opportunity by calling Gary Johnson
in an effort to get his book reviewed on the web
site. Once he got in touch with Gary, Michael
decided to go a step further and make a personal
appointment to meet Gary
instead of putting the book in the mail.
Michael was not pushy, but he
would not take "No," for an answer. Think
about it. Michael had nothing to lose and
everything to gain. As a result, his book, Right in Front of You: Uncommon Sense in Poetry
is the first book featured on our site for
2009.
Michael and Gary met at the
Black Men In America.com office and once again,
Michael saw another opportunity to make an
impression. Rather than do a "meet and
greet," Michael decided to do a "meet and
perform." And perform he did.
Michael's book contains 33 entries
or poems divided into three chapters (Life,
America and Spirituality). Michael can
recite every entry from memory and he allowed us to
randomly select one entry from each chapter.
Watching Michael A. Price, Jr., recite his
work is akin to watching a live performance in a
theater. The energy is there and you find
yourself being "drawn in" as you listen and think
about what he's saying. Michael is humble,
well grounded and definitely passionate about his
work.
Now about the book.
Right in Front of You: Uncommon Sense in Poetry by
Michael A. Price, Jr., is more than a book
of poetry. As Price explained to Gary
Johnson, "Common sense is dead. It does
not exist in the world that we live in anymore.
Those who have a measure of wisdom are in the
minority, therefore "common sense" is now
"uncommon." Each poem is preceded by a
brief introduction; which helps put some context and
background to the piece and explains what inspired
Price to write it.
Right in Front of You:
Uncommon Sense in Poetry by Michael A. Price, Jr.,
is a thought-provoking book of short entries
in a poetic format. Michael A. Price, Jr.,
simply wants to do his part to make sure that
"common sense" becomes "common" again.
In the end, the reader discovers that the "a ha"
moment, key to the puzzle or piece of wisdom that
you've been looking for is right in front of
you.
Click
here to visit our showcase to order
Michael's book. You can read a sample of
Michael's work below.
Doing Something About It
Everybody has some words about the problems;
Going on and on and on of how to solve them.
But speaking in itself is no solution,
Unless it leads to positive conclusions.
If you are great at word articulation,
Your audience may show appreciation.
But even if the venue is really crowded,
It still boils down to what you’ll do about it.
Though it sounds good in human interaction,
Those words must all be followed up with action!
As verbal leaders come a dime a dozen,
Effective, is a trait they often wasn’t.
In talking yourself up to being a hero,
The impact may equate to almost zero.
Most people are inclined and tend to doubt it;
Unless you really do something about it.
For a message to be seen as being consistent,
Advice should also come with your assistance.
‘Cause that provides the people with some proof,
To know the words you’re speaking as the truth.
Just merely talking about a bad situation,
Is futile to the point of irritation.
It’s by your deeds that your word’s worth is
counted;
Which is why you must do something about it.
We have so many issues to be tending.
The list of them is almost never ending.
So if you think you truly have the answer,
To one of the many social plagues and cancers,
Then roll your sleeves and work to make it happen!
After working on the book for more than a decade, Haley was
stuck -- and desperate
I just
love to get out in the ocean. You are really out there,
thinking in ways you haven't thought before. The best
writing I ever possibly could do was after The Digest
helped me go to Africa and Europe, and I was not known and I
could just take my time and nobody was pressing me. God, I
don't know how long it took me. I was working slowly,
slowly. When I had done all the research, nine years,
working in between doing articles for other magazines, I was
ready to write. I didn't know where to go, didn't know what
to do. I knew I had a monumental task. And I got on a cargo
ship. I went from Long Beach, California, completely around
South America and back to Long Beach. It was 91 days.
There's
something about a ship. Usually I go out on freight ships,
cargo ships. (I wouldn't get caught on a liner. How can you
write with 800 people dancing?) But the freight ships carry
a maximum of 12 people, and they tend to be very quiet
people.
I work
my principal hours from about 10:30 at night until daybreak.
The world is yours at that point. Most all the passengers
are asleep.
I had
written from the birth of Kunta Kinte through his capture.
And I had got into the habit of talking to the character. I
knew Kunta. I knew everything about Kunta. I knew what he
was going to do. What he had done. Everything. And so I
would talk to him. And I had become so attached to him that
I knew now I had to put him in the slave ship and bring him
across the ocean. That was the next part of the book. And I
just really couldn't quite bring myself to write that.
I was in
San Francisco. I wrote about 40 pages and chunked it out.
When you write well, it isn't a question so much of what you
want to say, it's a question of feel. Does it feel like you
want it to feel? The feel starts coming in somewhere around
about the fourth rewrite.
I wrote,
twice more, about 40 pages and threw it out. And I realized
what my bother was: I couldn't bring myself to feel I was up
to writing about Kunta Kinte in that slave ship and me in a
high-rise apartment. I had to get closer to Kunta. I had run
out of my money at The
Digest, lying so many times about when I'd finish
so I couldn't ask for any more. I don't know where I got the
money from. I went to Africa. Put out the word I wanted to
get a ship coming from Africa to Florida. I just wanted to
simulate the crossing.
I went
down to Liberia, and I got on a freight ship called
appropriately enough the African Star.
She was carrying a partial cargo of raw rubber in bales. And
I got on as a passenger. I couldn't tell the captain or the
mate what I wanted to do because they couldn't allow me to
do it.
But I
found one hold that was just about a third full of cargo and
there was an entryway into it with a metal ladder down to
the bottom of the hold. Down in there they had a long, wide,
thick piece of rough sawed timber. They called it dunnage. It's
used between cargo to keep it from shifting in rough seas.
After
dinner the first night, I made my way down to this hold. I
had a little pocket light. I took off my clothing to my
underwear and lay down on my back on this piece of dunnage.
I imagined I'm Kunta Kinte. I lay there and I got cold and
colder. Nothing seemed to come except how ridiculous it was
that I was doing this. By morning I had a terrible cold. I
went back up. And the next night I'm there doing the same
thing.
Well,
the third night when I left the dinner table, I couldn't
make myself go back down in that hold. I just felt so
miserable. I don't think I ever felt quite so bad. And
instead of going down in the hold, I went to the stern of
the ship. And I'm standing up there with my hands on the
rail and looking down where the propellers are beating up
this white froth. And in the froth are little luminous green
phosphorescences. At sea you see that a lot. And I'm
standing there looking at it, and all of a sudden it looked
like all my troubles just came on me. I owed everybody I
knew. Everybody was on my case. Why don't you finish this
foolish thing? You ought not be doing it in the first place,
writing about black genealogy. That's crazy.
I was
just utterly miserable. Didn't feel like I had a friend in
the world. And then a thought came to me that was startling.
It wasn't frightening. It was just startling. I thought to
myself, Hey, there's a cure for all this. You don't have to
go through all this mess. All I had to do was step through
the rail and drop in the sea.
Once
having thought it, I began to feel quite good about it. I
guess I was half a second before dropping in the sea. Fine,
that would take care of it. You won't owe anybody anything.
To hell with the publishers and the editors.
And I
began to hear voices. They were not strident. They were just
conversational. And I somehow knew every one of them. And
they were saying things like, No, don't do that. No, you're
doing the best you can. You just keep going.
And I
knew exactly who they were. They were Grandma, Chicken
George, Kunta Kinte. They were my cousin, Georgia, who lived
in Kansas City and had passed away. They were all these
people whom I had been writing about. They were talking to
me. It was like in a dream.
I
remember fighting myself loose from that rail, turning
around, and I went scuttling like a crab up over the hatch.
And finally I made my way back to my little stateroom and
pitched down, head first, face first, belly first on the
bunk, and I cried dry. I cried more I guess than I've cried
since I was four years old.
And it
was about midnight when I kind of got myself together. Then
I got up, and the feeling was you have been assessed and
have been tried and you've been approved by all them who
went before. So go ahead. And then I went back down in the
hold. I had a terrible head cold, flu-ish like. I had with
me a long yellow tablet and some pencils. This time I did
not take my clothing off like I'd been doing. I kept them on
because I was having such a bad cold. I lay down on the
piece of timber.
Now
Kunta Kinte was lying in this position on a shelf in the
ship, the Lord Ligonier.
She had left the Gambia River, July 5, 1767. She sailed two
months, three weeks, two days. Destination Annapolis,
Maryland. And he was lying there. And others were in there
with him whom he knew. And what would he think?
What
would be some of the things they would say? And when they
would come to me in the dark, I would write. And that was
how I did every night, only ten nights. From there to
Florida. I remember rushing through the big, big Miami
Airport. Flew back to San Francisco. Got with a doctor, and
he kind of patched me up.
I sat
down with those long yellow tablets and transcribed. And I
began to write the chapter in Roots where
Kunta Kinte crossed the ocean in a slave ship. That was
probably the most emotional experience I had in the whole
thing.
Come
around about 1:30 in the morning, you've been working since
10:30 and decide you're going to take a little break. So you
get up and you walk up on the deck. And you put your hand on
the top rail, your foot on the bottom rail, and you look up.
The first most striking thing is, man, you look up and there
are heavenly objects as you never saw them before. You find
yourself looking at planets at sea. And what you start to
realize, you never saw clear air before. In some latitudes,
down off West Africa, South America, on the night of a full
moon, there are times you get into an illusion -- if you
could just stretch a little further you feel like you could
touch it. And you are out there amidst all Gods firmament
and then you stand and you feel through the soul of your
shoe a fine vibration and you realize that's man at work.
That's a huge diesel turbine, 35 feet down under the water
driving this ship like a small island through the water.
Still standing there, now you start hearing a slight hissing
sound. You realize that's of the ship cutting through the
resistance of the ocean. With all that going on, feeling
these man things and seeing the God things, that's about as
close to holy as you are going to ever get.
Edited
from a talk at Reader’s
Digest, October 10, 1991, four months before Alex
Haley’s death
Alexander Murray Palmer Haley
(1921-1992) was an African American writer who was best
known for his Pulitzer Prize-winning book, Roots. A writer
of distinction and a contributing editor for Reader’s Digest,
Haley's first major work was The Autobiography of
Malcolm X, published in 1965.
Growing
up, Haley had heard stories about his African ancestor,
Kunta Kinte, and became interested in tracing his family to
its deepest roots. It was Lila Acheson Wallace, cofounder of
The Digest,
who commissioned Haley to do the research that would create
a groundbreaking article in the magazine. When Reader's Digest
published the first excerpts from Roots in our May
and June 1974 issues, we said it was an epic work, "destined
to become a classic of American literature." That has proved
to be an understatement.
In just
five months after the book hit stores in 1976, more than one
million hardcover copies were purchased. Since then, Roots has taken
its place among the greatest bestsellers of all time as the
number of copies has grown to over six million worldwide.
Its impact on television was also historic: Some 130 million
Americans watched at least part of the 12-hour drama, making
it the highest-rated miniseries ever.
Rootschanged the way we think about race in this country and
profoundly affected the lives of many people, especially
African Americans.
Since
1990 alone, the petroleum industry has invested more than
$20 billion in exploration and production activity in
Africa. A further $50 billion will be spent between now and
the end of the decade, the largest investment in the
continent's history -- and around one-third of it will come
from the United States. Three of the world's largest oil
companies -- the British-Dutch consortium Shell, France's
Total, and America's Chevron -- are spending 15 percent, 30
percent, and 35 percent respectively of their global
exploration and production budgets in Africa. Chevron alone
is in the process of rolling out $20 billion in African
projects over a five-year period.
The
overwhelming majority of this new drilling activity has
taken place in the so-called "deep water" and the "ultradeep"
of the Gulf of Guinea, the roughly 90-degree bend along the
west coast of Africa that can best be visualized as the
continent's "armpit." Its littoral zone passes through the
territorial waters of a dozen countries, from Ivory Coast in
the northwest down to Angola in the south, and a good deal
of its geology shares the characteristics that have made
Nigeria a prolific producer for decades. Indeed, a number of
unexpectedly productive fields have been discovered in the
Gulf over the past decade. But although the Gulf of Guinea
has lately been sub-Saharan Africa's most exciting region
for the oil industry, it is hardly the only "prospective"
part of the continent (to borrow the industry term). The
parched semideserts of southern Chad and southern Sudan have
recently added hundreds of thousands of barrels a day to
global markets, and a growing chorus of voices is now
touting the East African margin as the industry's "next big
thing."
But be
it east or west, jungle or desert, it is a safe bet that
where the drillers go, the politicians, strategists, and
lobbyists are not far behind. Washington in particular has
taken a keen interest in Africa's growing significance as an
oil-producing region since the headline discoveries of the
late 1990s. In December 2000 the National Intelligence
Council, an internal CIA think tank, published a report in
which it declared unambiguously that sub-Saharan Africa
"will play an increasing role in global energy markets," and
predicted that the region would provide 25 percent of North
American oil imports by 2015, up from the 15 percent or so
at the time. (This would put Africa well ahead of Saudi
Arabia as a source of oil for the United States.) In May
2001 a controversial and fairly secretive energy task force
put together by U.S. Vice President Dick Cheney declared in
its report: "West Africa is expected to be one of the
fastest-growing sources of oil and gas for the American
market."
In the
following months, a group of congressmen, lobbyists, and
defense strategists came together under the umbrella of the
African Oil Policy Initiative Group, and began preaching the
message that the Gulf of Guinea was the new Persian Gulf,
and that it should become a strategic priority for the
United States, even to the point of requiring an expanded
military presence. A series of well-placed articles in the
American media followed, some breathlessly announcing the
inauguration of a new Middle East off the shores of Africa.
Before long, the influential Center for Strategic and
International Studies had chimed in with a couple of
reports, its most recent, in July 2005, claiming that "an
exceptional mix of U.S. interests is at play in West
Africa's Gulf of Guinea."
During
these years, a number of prominent lawmakers in Washington
began getting excited about the possibility of shifting some
of America's oil dependence from the Middle East to Africa.
One former senior official charged with African affairs
recalls Kansas Senator Sam Brownback rushing up to him one
afternoon in October 2002, positively glowing with
excitement. "What do you think about bases in Africa?"
Brownback asked. "Wouldn't that be great?"
But does
Africa measure up to the hype? After all, the entire
continent is believed to contain, at best, 10 percent of the
world's proven oil reserves, making it a minnow swimming in
an ocean of seasoned sharks. Africa is unlikely ever to
"replace" the Middle East or any other major oil-producing
region. So why the song and dance? Why all the goose bumps?
Why do so many influential people in Washington let
themselves get so carried away when they talk about African
oil?
The
answer has very little to do with geology. Africa's
significance as an oil "play," to borrow the industry lingo,
lies beyond the number of barrels that may or may not be
buried under its cretaceous rock. Instead, what makes the
African oil boom interesting to energy security strategists
in both Washington and Europe (and, increasingly, Beijing)
is a series of serendipitous and unrelated factors that,
together, tell a story of unfolding opportunity.
To begin
with, one of the more attractive attributes of Africa's oil
boom is the quality of the oil itself. The variety of crude
found in the Gulf of Guinea is known in industry parlance as
"light" and "sweet," meaning it is viscous and low in
sulfur, and therefore easier and cheaper to refine than,
say, Middle Eastern crude, which tends to be lacking in
lower hydrocarbons and is therefore very "sticky." This is
particularly appealing to American and European refineries,
which have to contend with strict environmental regulations
that make it difficult to refine heavier and sourer
varieties of crude without running up costs that make the
entire proposition worthless.
Then
there is the geographic accident of Africa's being almost
entirely surrounded by water, which significantly cuts
transport-related costs and risks. The Gulf of Guinea, in
particular, is well positioned to allow speedy transport to
the major trading ports of Europe and North America.
Existing sea-lanes can be used for quick, cheap delivery, so
there is no need to worry about the Suez Canal, for
instance, or to build expensive pipelines through
unpredictable countries. This may seem a minor point, until
you look at Central Asia, where the Baku-Tbilisi-Ceyhan
pipeline, stretching from Azerbaijan through Georgia and
into Turkey, and intended to deliver Caspian crude into the
Mediterranean, had to navigate a minefield of Middle East
politics, antiglobalization protests, and red tape before it
could be opened. African oil faces none of those issues. It
is simply loaded onto a tanker at the point of production
and begins its smooth, unmolested journey on the high seas,
arriving just days later in Shreveport, Southampton, or Le
Havre.
A third
advantage, from the perspective of the oil companies, is
that Africa offers a tremendously favorable contractual
environment. Unlike in, say, Saudi Arabia, where the
state-owned oil company Saudi Aramco has a monopoly on the
exploration, production, and distribution of the country's
crude oil, most sub-Saharan African countries operate on the
basis of so-called production-sharing agreements, or PSAs.
In these arrangements, a foreign oil company is awarded a
license to look for petroleum on the condition that it
assume the up-front costs of exploration and production. If
oil is discovered in that block, the oil company will share
the revenues with the host government, but only after its
initial costs have been recouped. PSAs are generally offered
to impoverished countries that would never be able to amass
either the technical expertise or the billions in capital
investment required to drill for oil themselves. For the oil
company, a relatively small up-front investment can quickly
turn into untold billions in profits.
Yet
another strategic benefit, particularly from the perspective
of American politicians, is that, until recently, with the
exception of Nigeria, none of the oil-producing countries of
sub-Saharan Africa had belonged to the Organization of
Petroleum Exporting Countries (OPEC). Thus they have not
been subject to the strict limits on output OPEC imposes on
its members in an attempt to keep the price of oil
artificially high. The more non-OPEC oil that comes onto the
global market, the more difficult it becomes for OPEC
countries to sell their crude at high prices, and the lower
the overall price of oil. Put more simply, if new reserves
are discovered in Venezuela, they have very little effect on
the price of oil because Venezuela's OPEC commitments will
not allow it to increase its output very much. But if new
reserves are discovered in Gabon, it means more cheap oil
for everybody.
But
probably the most attractive of all the attributes of
Africa's oil boom, for Western governments and oil companies
alike, is that virtually all the big discoveries of recent
years have been made offshore, in deepwater reserves that
are often many miles from populated land. This means that
even if a civil war or violent insurrection breaks out
onshore (always a concern in Africa), the oil companies can
continue to pump out oil with little likelihood of sabotage,
banditry, or nationalist fervor getting in the way. Given
the hundreds of thousands of barrels of Nigerian crude that
are lost every year as a result of fighting, community
protests, and organized crime, this is something the
industry gets rather excited about.
Finally,
there is the sheer speed of growth in African oil
production, and the fact that Africa is one of the world's
last underexplored regions. In a world used to hearing that
there are no more big oil discoveries out there, and few
truly untapped reserves to look forward to, the ferocious
pace and scale of Africa's oil boom has proved a bracing
tonic. One-third of the world's new oil discoveries since
the year 2000 have taken place in Africa. Of the 8 billion
barrels of new oil reserves discovered in 2001, 7 billion
were found there. In the years between 2005 and 2010, 20
percent of the world's new production capacity is expected
to come from Africa. And there is now an almost contagious
feeling in the oil industry that no one really knows just
how much oil might be there, since no one's ever really
bothered to check.
All
these factors add up to a convincing value proposition:
African oil is cheaper, safer, and more accessible than its
competitors, and there seems to be more of it every day.
And, though Africa may not be able to compete with the
Persian Gulf at the level of proven reserves, it has just
enough up its sleeve to make it a potential "swing" region
-- an oil province that can kick in just enough production
to keep markets calm when supplies elsewhere in the world
are unpredictable. Diversification of the oil supply has
been a goal -- even an obsession -- in the United States
since the Arab oil embargo of the 1970s. Successive U.S.
administrations have understood that if the world is overly
reliant on two or three hot spots for its energy security,
there is a greater risk of supply disruptions and price
volatility. And for obvious reasons, the effort to
distribute America's energy-security portfolio across
multiple nodes has taken on a new urgency since September
11, 2001. In his State of the Union address in January 2006,
President Bush said he wanted to reduce America's dependence
on Middle East crude by 75 percent by 2025.
John
Ghazvinian
has a doctorate in history from Oxford. He has written for
Newsweek, The Nation,
Time Out New York, and other publications.
Born in Iran and raised in London and Los Angeles, he
currently lives in Philadelphia, where he is a visiting
fellow at the University of Pennsylvania.
To learn more about John
Ghazvinian click here to visit his web site.
Spiritual
Shackles rides the energy of an extraordinary foster-home
family. This episodic story moves through the lives of five
children as they grow from infancy into adults, children who by
coincidence or destiny are brought together in the home of
reclusive, yet beautifully mysterious woman that cherishes
African spiritual beliefs. With these beliefs imparted, these
"divine children" move on to become avant-garde players during
turbulent times, challenging established attitudes and the
status quo, questioning everything, including bedrock religious
beliefs. This journey through conflicting ideas intertwines
smoothly with a suspenseful love affair that is richly anchored
in ancient African lore.
If you're ready, take a journey that
will mesmerize your senses, challenge your intellect while at
the same time have you rolling on the floor in gut busting
laughter. Enter the world of Spiritual Shackles, hang on
to the excitement and enjoy the journey.
About the Author
Author Jumal currently resides in
Southern California with his wife, Phyllis. He enjoys jazz,
officiating track and field, both teaching and playing chess,
storytelling and traveling where he’s most recently returned
from trips to Bahia, Brazil and Belize. To learn more visit his
official web site at: http://www.spiritualshackles.com/index.php.
Author
Jumal has authorized a discount for Black Men In America.com
site visitors. For a limited time you can buy “Spiritual
Shackles” for $7.00 off the retail price. Click here to place your order directly to author
Jumal.
LL
Cool J's Platinum Workout By LL Cool
J and Dave Honig with Jeff O'Connell Published by Rodale December 2006; $27.95US/$34.95CAN; 9781594866081
While it may seem impossible to imagine,
LL Cool J didn't always have a diesel body -- he chiseled it the
old-fashioned way, with hard work and discipline. Together with
his longtime trainer, Dave "Scooter" Honig, LL developed
a revolutionary workout system that not only burns away body fat
for good but also built the amazing muscle and flawless physique
you see in every one of his latest music videos.
In
LL Cool J's Platinum Workout,
LL lets you in on the secrets of his transformation with his
uniquely creative, yet no-nonsense regimen -- enlivened with
humor and sheer force of personality -- he will inspire you to
enjoy working out as never before, while building a body you
never thought possible. LL Cool J and Scooter Honig blend
standard free-weight lifts, plyometrics, fighters' moves,
calisthenics, endurance training, and much more to create what
they call their "combination platter" -- a highly effective,
dynamic, and diversified total-body workout. Whether you are
just starting a program or looking to get to the next level, you
can choose from four levels of fitness, from Bronze to Platinum,
including:
The Bronze Body: A 4-week
beginners' program that will take inches off your waist and
boost your energy.
The Silver Body: A 5-week
program for intermediates that increases strength while also
maintaining muscular and cardiovascular endurance.
The Gold Body: An advanced
9-week program that turns the body into a muscle-building
and fat-burning machine -- complete with six-pack abs and as
much energy as LL Cool J.
The Platinum Body: A hard-core
3-week fat-torching program LL used for the "Control Myself"
video -- a new level in ripped-to-the-bone fitness and sex
appeal.
Plus, The Diamond Body: A
special 4-week program for women who want to shape up fast
for summer or a special event.
Jam-packed with photos of LL demonstrating the exercises and
complete with meal plans and recipes that will fuel your
workouts while promoting fat loss, LL Cool J's Platinum
Workout will transform your body and the way you think about
exercise -- for life.
Author LL Cool Jis a three-time
Grammy-winning rapper, television and movie actor, and
bestselling author. With 11 consecutive platinum albums, he is
considered one of a select few artists who brought rap and
hip-hop culture from the underground to the mainstream. He
previously authored the best-selling I Make My Own Rules. He
lives on Long Island, New York.
Dave
"Scooter" Honig
is a noted expert in boxing conditioning and has worked with
champion athletes and celebrities for many years. He lives in
New York City.
Jeff
O'Connell
is an executive writer for Men's Health magazine and
recently coauthored The PowerFood Nutrition Plan.
He divides his time between New York City and Emmaus,
Pennsylvania.
I’m
used to pushing it to the outer limits when recording new
joints, but losing body fat to shape up isn’t an exercise in
extremes; it’s a matter of balance. Do too much or too little of
one thing and you may not lose body fat as quickly as you
expect. To achieve the best results, practice the discipline of
moderation. If you’re not seeing the results you want, consider
that the reason may be one of the following, and use my personal
quick fix to correct the problem in short order.
1.
You’re adding muscle mass faster than you’re losing body fat.
This is a
best-case scenario -- your program is working, but you just
aren’t recognizing it. If the scales are giving you bad news, it
could be because you’re increasing your muscle mass faster than
you’re losing body fat. Muscle mass is heavier than body fat,
and when your body starts to make this shift, it adds muscle
mass more quickly than it sheds body fat. LL’s quick fix:
All you need in this case is an attitude adjustment. Use your
mirror, pay attention to how your clothes are fitting, and take
the compliments you receive to heart. They’re all much better
gauges of your success than a number on a scale. If everything
seems to be pointing to success except the needle, ignore it.
2.
You’re eating too much. If you’re
committing this sin, you probably know it without my telling you
more about it. If you’re going to lose body fat, you have to be
in a calorie deficit. There’s a limit to how many calories you
can burn by exercising each day, so you have to limit caloric
intake to make sure you’re in a deficit. LL’s quick fix: One thing you may have noticed when you started this program is
that your appetite increased. Channel that into opportunity:
Emphasize healthy low-calorie foods such as vegetables and lean
protein sources so that you can still consume a large volume of
food without stuffing yourself full of unwanted calories.
Satiety (that satisfied feeling from eating) can be achieved
with fewer calories when you eat crunchy, low-calorie foods such
as vegetables.
3.
You’re not eating enough.
“Enough” in this case may mean that you’re not eating enough
calories; you’re not eating often enough, or both. If you
habitually eat only a large meal or two a day, you may be under
eating. Strangely, this can allow calories to be stored as body
fat. When you eat a large quantity of food in a sitting and then
neglect to eat for hours on end, your body tends to hoard the
calories it doesn’t need from these infrequent meals as body
fat. LL’s quick fix: To find success, eat fewer calories
in a sitting, and eat more frequently. This may mean actually
increasing the total number of calories you consume a day, but
your body will be more inclined to burn them than to store them
as body fat. Strive to take in up to six meals a day,
distributing the number of calories you consume fairly equally
from one meal to the next.
4.
You’re not training enough.
If you’re following the program as I’ve laid it out, you’re
training enough. The only suggestion I can offer is to train
with more intensity. If you’re not keeping up, but you’re doing
what you can, then just keep going at your pace. Your results
will come. On the other hand, if you’re skipping workouts
because you’re busy or because you don’t feel like it, you’re
just not going to achieve results that are as impressive as you
want. LL’s quick fix: The first thing you have to realize
is that you do have time to work out. Get in 15 minutes here and
there each day. Make the commitment. That’s when you’ll see real
results.
5.
You’re training too much.
This may be a shocker, but training too much, too hard, or both
can undermine progress. Keep in mind that the workouts
themselves tear down your body. You make progress and grow after
training, during recovery. LL’s quick fix: If you are
overtraining (see “Don’t [Over]Train in Vain” on page 190 for
more on this), you may need to back off on your training volume
or frequency. You should limit weight training to about 4 days a
week, and you should include at least 1 -- if not 2 -- full rest
days each week.
6.
You’re not performing enough cardio.
When you’re weight training, you’re jacking up your metabolic
rate by encouraging calorie burning and adding muscle mass.
Cardiovascular training (walking, jogging, running, or using any
of the gym machines such as treadmills, bicycles, or
stairclimbers) is also important for burning calories and
ultimately for burning body fat. LL’s quick fix: Make
sure that you perform as much cardio as the program prescribes.
7.
You’re performing too much cardio. Many
people think they can climb onto a treadmill and just keep
moving until their body is perfect. That’s not the case.
Performing an excess of cardio (either in intensity, frequency,
or duration) can take your body over the edge into a state of
overtraining, and it can burn muscle mass rather than body fat.
Either way, your cardio actually can end up working against your
goal of shedding body fat and adding lean muscle mass. LL’s
quick fix: If you think this is the case, cut back on your
cardio somewhat -- either the length of sessions, the frequency,
the intensity, or a combination of these variables.
8.
You’re eating too many carbs.
If you consume a high percentage of your calories from
carbohydrates, you may be impeding your ability to shed body fat
-- and you may not be encouraging enough muscle growth if you’re
simultaneously not eating enough protein. Carbs, especially
sugary or starchy carbs, can make you feel sluggish and
negatively affect your blood sugar. They can also encourage you
to store body fat. LL’s quick fix: To avoid this problem,
cut back on carbs in general, relying more on slow-burning
sources such as oatmeal, brown rice, and yams, which have a less
negative impact on your blood sugar levels. Particularly avoid
consuming sugary and starchy carbs by themselves. These include
sodas, pasta, white bread, and candy.
9.
You’re not eating enough carbs (before and after you work out).
Nutrition
is complex and specific to each individual. You need to cut back
on sugary carbs in general, but you want to include them before
and after your workouts, when they will help drive nutrients
into your cells. Pre- and post-workout, they deliver nutrients
to your muscles, stimulated by your workouts, rather than to
your body-fat stores. LL’s quick fix: Consume as many as
50 grams of simple carbs in the half hour both before and after
you work out. (Check labels to see how large of a portion this
equates to).